Reading London-based Irish chef Richard Corrigan’s second cookbook The Clatter of Forks and Spoons is a pain in the neck. Holding the monster-sized tome that weighs in at over 3lbs for extended periods of time doesn't help, but its the constant nods of agreement that are the real problem.
“Philosophy of life, politics, religion maybe – but cooking? It’s just people trying to sound more meaningful than they really are.” (Nods reflectively) Couldn’t agree more.
“What is good cooking all about? Knowing your ingredients, and understanding what goes with what.” (Nods knowingly) Yes, absolutely.
“What’s the use of chefs at all, I sometimes wonder, when there is food as simple and gorgeous as Dover sole or a native oyster out there?” (Nods vigorously) Oh, someone get me an Aspirin.
Although primarily aimed at the home cook, there’s so much culinary common sense crammed into the book’s 400-odd pages that no chef should be allowed within a mile of a professional kitchen without reading it.
A cookery booked named after a quote from The Dead by James Joyce with a picture of a sink on the cover was always going to be a class apart. Numerous articles, essays and extended introductions along with the evocative landscapes, still lives and portraits by photographer Kristin Peters break the usual recipe/photo mould.
Corrigan underlines his ingredient-led approach by profiling some of his favourite producers or “extreme artisans” as he calls them. A veritable Irish Mafia of “stubborn, cranky people” includes cheesemaker Bill Hogan of Schull in West Cork and the Seed Saver Association in Country Clare that conserve heritage varieties of fruit vegetables and grains.
Despite his enthusiasm for artisan produce, Corrigan resists being too prescriptive with his recipes. Apart from a general exhortation to spend less in the supermarket and more at the butcher’s shop and farmers market, you won’t have to search too hard to find ingredients for the majority of the dishes.
A love of cheaper cuts such as pig’s trotter and ham hocks and relatively inexpensive fish including mackerel, hake and gurnard means you won’t have to break the bank to cook from the book (although there’s plenty of luxury produce like wild salmon, lobster, grouse and foie gras too).
An eclectic range of dressings and sauces including Italian salsa verde, Catalonian romesco and North African harissa, and dishes ranging from Mediterranean influenced stuffed baby squid with chorizo and feta style cheese to Thai crab and mussel soup reflect the globetrotting style prevalent during the 1990’s London restaurant scene where Corrigan first made his name.
The Clatter of Forks and Spoons also tells Corrigan’s own story, from growing up on a farm in County Meath to the recent opening of his posh new Mayfair restaurant. Although Corrigan’s time cooking in the Netherlands, working with Stephen Bull and opening the Lindsay House restaurant in Soho are all covered, you can’t help feeling that there must be more to say about such a larger-than-life character (try reading Stephen Bull’s side of the Fulham Road restaurant story in his excellent Classic Bull: An Accidental Restaurater's Cookbook and you’ll see what I mean).
With the assistance of Shelia Keating (“without whom,” the author admits in his acknowledgements “the words wouldn’t be on the paper”), Corrigan has produced a volume that more than bears comparison to modern classics such as Alastair Little’s Keep It Simple and Roast Chicken and Other Stories by Simon Hopkinson.
The book embodies much of what is great about British cooking in the 2000’s, and by doing so guarantees it will be used for decades to come.